I want to remember that the woman, in the trilogy of Cante, Baile, and Toque, was the subject of a chapter of my doctoral thesis that I defended at the University of Granada in 1978 under the direction of Prof. Dr. Antonio Gallego Morell.


All this arose because of the very high regard I had for the “Woman-Cantaora” ever since, and because the same universal history gave me the guidelines to see how in the French Revolution (1789) it was also some women who defended the ” Rights of Man and of the Citizen “, that is to say, by them precisely the” feminist movement “appeared.